This section lists the keyboard shortcuts, grouped by the menu
they belong to, followed by the keys that move around the
canvas.
File
Command
Shortcut
New
Ctrl+N
Open...
Ctrl+O
Open from URL...
Ctrl+Shift+O
Save
Ctrl+S
Save As...
Ctrl+Shift+S
Backup
Ctrl+B
Smart Save
Ctrl+Alt+S
Quit
Ctrl+Q
Edit
Command
Shortcut
Undo
Ctrl+Z
Redo
Ctrl+Y
Add Room
Insert
Delete Selection
Del
Connect Mode
C
Cut
Ctrl+X
Copy
Ctrl+C
Paste
Ctrl+V
Copy Color
Ctrl+Alt+C
Paste Color
Ctrl+Alt+V
Select All
Ctrl+A
Select None
Esc
Find Room...
Ctrl+F
Rooms in Selected Regions
Ctrl+Shift+A
Rooms
Command
Shortcut
Rename...
F2
Change Region...
Shift+F2
Toggle Darkness
K
Force Dark
Ctrl+K
Force Lighted
Ctrl+Shift+K
Set as Start Room
Ctrl+F5
Set as End Room
Shift+F5
Square
Ctrl+H
Rounded
Ctrl+R
Ellipse
Ctrl+E
Octagonal
Ctrl+8
Join Rooms
J
Swap Objects
W
Swap Names
Ctrl+W
Swap Formats
Shift+W
Swap Regions
Alt+W
Connections
Command
Shortcut
Reverse
V
Rotate Source Port
[
Rotate Target Port
]
Delete Room's Connections
Ctrl+D
Dashed
T
One-way
A
Up / Down (label)
U
Down / Up (label)
D
In / Out (label)
I
Out / In (label)
O
Plain
P
Automap
Command
Shortcut
Step
F11
Run to Completion
Shift+F11
View
Command
Shortcut
Zoom In
Ctrl++
Zoom Out
Ctrl+-
Zoom In 1%
Ctrl+Shift+=
Zoom Out 1%
Ctrl+Shift+-
Reset Zoom
Ctrl+0
Fit to Window
Ctrl+Shift+F
Reset Origin
Home
Show Text
Ctrl+F4
Help
Command
Shortcut
Help Contents
F1
Canvas navigation
The arrow keys and numeric keypad move around the map. With a
room selected, an arrow key nudges the selection; holding Ctrl
navigates to the room in that direction, creating one if none
exists; holding Ctrl and Alt resizes the room; and holding Shift
follows a connection. With nothing selected, the arrow keys scroll
the view. The numeric keypad navigates in all eight directions.
Two more keys act on the whole map: Enter opens the properties of the selected room or
connection, or - when nothing is selected - selects the room
nearest the middle of the view; and 0
selects the start room. The mouse wheel zooms (hold Ctrl for finer steps), described in §5.